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Queer Korean American filmmaker from Los Angeles known for Spa Night (2016), Driveways (2019), Fire Island (2022) and The Wedding Banquet (2025).
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Browse all →In the 1920s, Hollywood pioneers like Anna May Wong faced severe systemic limitations, forced into heavily stereotyped roles or passed over due to anti-miscegenation laws.
Modern AAPI creative asset owners and storytellers reject historical exclusion by owning their narratives, platforms, and intellectual property.
Why this is on Andrew’s profile — their work continues this lineage.
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