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Poet and author of Greenhouses, Lighthouses and a media scholar at the University of Michigan.
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Browse all →In the 1920s, Hollywood pioneers like Anna May Wong faced severe systemic limitations, forced into heavily stereotyped roles or passed over due to anti-miscegenation laws.
Modern AAPI creative asset owners and storytellers reject historical exclusion by owning their narratives, platforms, and intellectual property.
Why this is on Tung-Hui’s profile — their work continues this lineage.
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